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Die Slowly, You'll Enjoy It More
Bardo Baretti sleeps in a carpet, he likes trains and atomic bombs.
Bardo Baretti, played by Amedeo Nazzari, is one of those villains so
eccentric that became very nice. Not the least is the hero of the
story, Bob Urban or Mr.Dynamit, a super international spy who works for
the BND (West German intelligence) and has the face of the good Lex
Barker one of the best known Tarzans.
These two are enough to understand that "Mister Dynamit - Morgen
küßt euch der Tod", or "Spy Today ... die Tomorrow" or known
with the most succulent title " Die Slowly, You'll Enjoy It More " is
one of those eurospy so crazy to be missed. An international
production, directed by the ductile Franz Josef Gottlieb, who also
writes the story inspired by one of the novels by Karl-Heinz
Günther (the author of the Kommissar X). A film that more than
many others of its kind follows James Bond and, perhaps involuntarily,
touches on important parodist moments, including the laboratory with
super-secret weapons.
The plot has its own sense, for this Fanta genre. There is the villain
who endangers humanity, there is the hero, and there are the beautiful,
the traitors, the plots and the conspiracies against them. Here,
however, we fall on the interpreters from Amedeo Nazzari, in the role,
packed, of the bad guy to move to as many packed shoulders (see Maria
Perschy) of a hero who has the right physique du rôle.
Well ... in any case, the aforementioned Bardo Baretti is a crazy
Italian financial operator who lives in Spain and develops a plan to
extort a billion dollars from the United States: he says, to have an
atomic bomb on an island of his property and to be ready to drop it on
Washington. The CIA does not sleep anyway, Lu Forrester (Maria Perschy)
is ready to fight back but he needs the fundamental help of Mr.Dynamit
agent of the BND, who will be able to save the world and above all to
make good publicity for the BND itself (which at the time it was a very
welcome thing).
Usual turning of strange and explosive situations, for a film that perhaps should have marked the beginning of a saga.
