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Il vizio di famiglia
Those beautiful families of the past, bourgeois and respectable, at the
centre of a good old-fashioned film. Well, not a masterpiece, but a
simple Italian erotic comedy, in which everything goes well. Pleasantly.
Mariano Laurenti is the leader of a tested and safe super cast, which
incredibly, in some cases, takes new road. For example, we have Gigi
Ballista, a paraplegic industrialist, who speaks with a Venetian accent
and Renzo Montagnani, not as asshole and asshole as always, but in the
role of a waiter who pretends to be gay.
With them apart from Roberto Cenci, Enzo Andronico and Gastone
Pescucci, other males of the film, there is a battery of prominent
women, exploited to the best of their ability.
But let's proceed calmly. "The vice of the family" is set in the
microcosm of a wealthy family from the north, in which Giosuè
Buzzacaroni (Ballista) industrialist of pasta, is in poor health, even
if he continues to happily palpate his wife Ines (Ines Navarro, who
signed Susan Scott), revealing certain desires. Her sister Magda
(Juliette Mayniel) hires the swindler Giacomo (Renzo Montagnani) as a
waiter with the aim of going to bed with her sister-in-law, putting her
in a bad light and have all the heritage.
Therefore, the whole plot revolves around the legacy, with the two
women fighting openly, waiting for the death of the old man. However,
in this fight enters the young nephew Marco (Roberto Cenci), the old
man's daughter, played by Edwige Fenech, who one day arrives in the
villa by surprise, Giacomo himself and finally Marisa, a maid played by
Orchidea De Santis, engaged with Giacomo.
Erotic traps and various tricks to bring down the opponent and catch
the legacy. But a twist sees Marisa, the latest arrival, with her
Giacomo alongside, the winner of the war.
Not everything is going well and the film slip sometime in the (too
much) trash, especially in the long scenes at the sea, and the end
risks being too long. However most of the time the game works, the
story goes smoothly giving us also interesting erotic moments, which
certainly can never be missing. In addition to Nieves Navarro often
naked, there is Edwige Fenech who exalts the audience, in a topless in
the garden and then asks to be wetting with a water pump by the young
Marco, in a scene that is not a double meaning. No. It's a one way.
Orchidea De Santis, beautiful as always, completes the picture of a film that is not bad for its genre.
