sorry for the mistakes!
Reflections of light
career of Mario Bianchi goes by porn movies, finishing sometimes in
genre cinema. The eighties pass in a large excess of fake rich
exhibitionism. Genre cinema instead was dying. The sum of these things
leads us to one of the many improbable work of the period, an erotic
drama of 1987, direct by Mario Bianchi who would like to show a status
of high society, but obviously the production will not allow it.
A rented cottage, a jockey who trains for competitions in a field, a
rented Ferrari and underwear that our eyes appear a bit 'kitsch is
everything that "Reflections of light" can afford. It can’t
even afford a good script because that script by Francesco Valitutti
(who previously had written "La pelle della dolce Angela " for Andrea
Bianchi and later became a television writer) is a story that has no
real meaning, but it has so many things quite absurd.
It must be said in defense of "Reflections of light" that our
introduction is really evil, because this film can afford in several
aspects a good cast.
We have Gabriele Tinti which is the only one who knows how to play a
character. There is Laura Gemser, the famous name, but who only appears
in "flashbacks". And finally there are Pamela Prati, Loredana Romito
and Jessica Moore. Three Graces, often undressed (especially the first
two) and stars of different soft-core scenes, some of which, it must be
said, very interesting.
But apart from the big load of boobs and hot scenes "Reflections of
light" is a story that has a tremendous direction, whose editing and
interpretation make things worse.
Gabriele Tinti is Federico Brandi is a well-known pianist who after an
incident (incredibly absurd) is in a wheelchair and lost his beloved
(played by Laura Gemser). He lives between remorse and nightmares of
the past, in his house with Giorgia his secretary (Loredana Romito)
Marta (Pamela Prati) and his son Marcello (Giorgio Gori). Here they
intertwine their lives and especially their morbidity. Federico is in
big sexual conflict with Marta who consoles himself with Giorgia and
also with Marcello. The latter aspiring jockey trains in a field, where
met Gaia (Jessica Moore) with which establishes a relationship. In all
this sex scenes appears occasionally Laura Gemser to remember the past.
There isn’t, although it is a drama, a crescendo of events and
the final conciliatory definitely kills the film, which as mentioned
above has its main attractions in the curves of the four actresses. The
only aspect of quality.