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La casa de papel
I imagine things went a certain way, with a group of screenwriters, who must have had a discussion of this kind.
"Yes ... let's get them back meaningless. Let's start with airships flying over Madrid "
"And Berlin? There is no more Berlin! There must be Berlin! "
"Berlin ... let's make that he has another brilliant plan and put him in various flashbacks and put a new character that remember him a little in his manner"
"And the hotties?"
"Tokyo. A scene walking on the beach in bikini like a Bond girl and then a hot strip".
Well, of course it's really hard to resume a virtually completed series but call loudly to come back on stage. And so let’s open the curtain on the mass phenomenon, which also takes the luxury of breaking the fourth wall in a curious way, showing us as the figure of "The Professor" and his gang, have infected the real world. Demonstrators dressed in red with Dalì masks, stadium banners and choreography. And much more.
The third season of " La casa de papel ", which will not be the last, fully takes up the smart ass style of the previous one. And it could not be different. Totally at the service of a fan base pampered by a long series of elements dear to the audience.
Things like the empathy with the robbers turn on from the first scenes and is then ignited by large demonstrations of approval of the population Things like that the team is (practically) the same, with the addition of Palermo (the new Berlin), Marseille , a certain Mathias and a ferret named Sofia, as well as new characters on the side of the bad (ie the police). A thing like the pattern is exactly the same as the previous robbery, but we're at the Mint.
And finally, those nuances from soap operas and comic lashes in the style of Almodovar, combined with the beautiful ones of turn, that are Jaime Lorente and Úrsula Corberó.
The glittering and winking product is therefore served, under the careful eye of "Netflix" that gives that international touch by replacing "Bella Ciao" with "You’ll never walk alone".
The result is a very popular series, which has the merit of being well narrated, thanks to a skilful use of the dramatic crescendo. The major flaw, however, is that of being very predictable, because yes, the crescendo is there, but you already know how it ends.
It takes eight episodes to have a noteworthy twist, which is also the cliff hanger of the fourth season. But I can imagine that in the end everything will be fine.
Fortunately, a cartoon-like climate assimilates (or if you prefer forgive) the many paradoxical and impossible situations (see airships at the beginning, which would be demolished according to safety standards) and in the end, once again, the series do its job, with all its infiniteness smart asses and simplicity.